جدلية التشخيص و التجريد على سطوح فخاريات العراق القديم

الملخص EN

Come the adjectives diagnosis and abstraction as one of the most important advertising spots means in the artwork and are dependent on the method of execution in the formulation of various works of art and since the emergence of the first signs of art including pottery art which has been used in multiple purposes, including the liturgical and devotional aspects which reflected clearly on the surfaces of pottery, which included forms anthropomorphism and animal and plant engineering even been implemented methods and different formulations, including the diagnosis and abstraction.

Without a doubt we can ascertain that the old man gave us a number of works of pottery and these can Nkhaddaha for study and research because it is fraught with implications.

Me first chapter methodological framework, which dealt with the problem of research and its importance and the need for him and his goal as well as the spatial and temporal boundaries and objectivity expired identification and definition of terms (dialectical - Diagnosis – abstraction).

While the second quarter included the theoretical framework and previous studies which consisted of two sections: the first (concept of diagnosis and abstraction in the Fine Arts (and the second 0 diagnosis and abstraction in the old Iraq Arts) down to the indicators and previous studies.

While Me Chapter III measures search of the research community and appointed by the (5 ) models and approach down to the analysis.

The fourth quarter has included a number of the most important results: 1.

From the technical characteristics of the forms that there is a dialectical transitions on the level of formal structures in subjects varied between Adamic, animal and plant and geometric shapes.

2.

the effect of religious belief and a clear vision of the artist to carry out its work and signed on the surface potter to represent various As well as some of the most important conclusions: 1.

The simplification of forms that took the highest in the ancient arts property due to the fact that the artist adopted the following premises: Shall be diagnostic and abstract shapes based on simplistic and convert existing shapes and shorthand form realistic dimensions and sizes and the mass to just deny him the status of live form of realism.

(B) The dialectic diagnosis or stripping forms reflecting the genius of the ancient artist and his creativity and the work of his imagination, and this marked the ancient surfaces clay (which invented the artist from nature a technique to play it (abstraction) character depends on the analysis and synthesis and Naturalization with his ability to make the forms retain the realism.

Down to some Almguetrhatahmha: (themes carried on the surfaces of ancient pottery Iraq connotations Avatar) and ending with the sources and supplements.