جماليات تقنية الراكو في الخزف البريطاني

الملخص EN

Means this research study (Aesthetics Alrako technique in British porcelain), which consists of four chapters: the first chapter included a presentation of the research problem and splinter into pivotal: the first is through the theoretical framework where the identification of ceramics Alrako of historical hand hand hand Technology on the other hand.

The second are through research procedures to identify where the aesthetics of technology Alrako in British porcelain.

While came the importance of research and the need for a mechanism to enrich the technical side by shining a light on the dimensions of the aesthetic, and this comes out of the framework of exchange of scientific order to the expressive and emotional system, and this study sings theoretical side in Alrako technique historically and technically and aesthetically.

The objective of the study lies in the detection of aesthetics Alrako technique in British porcelain.

While research study identifies ceramic work done in Britain, and within the specified time period between (2000, 2010).

The second chapter: it ensures the theoretical framework, which contains three sections: Me first section study of beauty and technology in contemporary composition, while the second topic Fna studied ceramics Alrako (origins and evolution), while Me The third topic studied contemporary British ceramics ( its origins and its evolution), and concluded the theoretical framework of a set of indicators.

The third chapter dealt with research procedures, which included identifying community search and selection of the research sample the (5) ceramic works, then search tool, methodology, after which the sample analysis.

The fourth chapter Vachtml on research results and conclusions, as well as recommendations and proposals Among the findings of the researcher are: 1.

taken some formal relations and the aesthetics of the ceramic composition in Britain emphasis on color, both harmonious and Almtdhad and dark and light characteristic relationships, intimacy also stressed the relationship between color and texture, which earned ceramic composition aesthetically pleasing and expressive dimension at the same time.

As in the models (1_2_3_4_5) 2.

achieved luster chromatically impact unfamiliar Win ceramic composition and brilliant sense of aesthetic high, and loaded him Bmarjaaat philosophical model mimicking the aesthetic target by self Haddathwai as a crossing for absolute beauty.

As in the models (2_3_4_5) 3.

ceramic technology played an important role in the output of the ceramic form of classical form to form carries specifications and features modernist keep pace with international art currents.

As in the models (1_3_5) The most important conclusions of the researcher are: 1.

The composition of the products of the British Ceramic out of familiar porcelain from a technical point of view and the aesthetics of the formation of the other.

2.

crossed show color techniques in contemporary British potter about his needs and aspirations of the self, it is free to invent new treatment is not determined by anything but his mind and his own experience.

They concluded Find a list of sources.