Yasmina Khadra et la négation de la mort dans sa trilogie : les hirondelles de Kaboul, L’attentat et Les sirènes de Bagdad

الملخص EN

Today, the novel assumes its destiny.

It imposes and poses the reality on his vision by proposing new ways to apprehend real.

The writer is supposed to declare frankly his humanitarian task before being artistic.

In this sense, Yasmina Khadra and through his trilogy on the great misunderstanding, appears fierce against the terrorist enterprise and he often considers it insane contrast to what appeared.

Here, it is the borrowing of Khadra who makes the disguise of the doctrine to devalue it.

Admittedly, the ideology of going to death appears in a subversive form but according to Khadra, it embodies and represents a reactionary effect.

Our article will therefore aim to focus on the mechanism of the subversion of ideologies in the light of Yasmina Khadra's trilogy on the dialogue of the deaf.