نظرية الإبداع عند السادة الصوفية : مقاربات دالة (الجزء الثاني)‎

المؤلف

مسالي، المصطفى

المصدر

آفاق فكرية

العدد

المجلد 4، العدد 8 (31 مارس/آذار 2018)، ص ص. 90-98، 9ص.

الناشر

جامعة جيلالي ليابس سيدي بلعباس كلية العلوم الإنسانية و الاجتماعية مخبر البحوث و دراسات الفكر الإسلامي

تاريخ النشر

2018-03-31

دولة النشر

الجزائر

عدد الصفحات

9

التخصصات الرئيسية

الأديان

الملخص EN

In this second part of the article I am about to put in order introductions concerning knowing the origins of the creative theory in Sufism, else to Reveal its essence and truth.

Sufis ( God bless them ) make from the Self perception of itself, and saving the self from itself the starting point and the route oriented in their inspirational creative theory.

Sufis Rearrange the movement of thought and its direction, as well they add a new contents on Concepts and Explanations that were prevalent from a long time in the consecutive Arabic-cultural data not as a derogation but as a leniency.

So that they reveal a deeper creative connotations that have a behavioral extension and an accurate knowledge assets.

The starting with the creative reading that characterized by patience and slowness, makes Sufis more grasped to the Human movement in a turbulent mysterious world, so that they can rearrange this movement according to: Priorities, demands and future predictions.

And it is an integrated and comprehensive creative theory.

With a language that connects the writing with the unseen the Sufis (God bless them) write.

They write with a Continuous and an unbroken pen that draws from the spring (God), actually the wrong with the pens is due to their interruption from the divine help, and the scoops of hearts filled of love, Dhikr and the relation of nearness.

In view that tongues are the scoops of hearts.

This enlightening, flowering, creative and continuous writing does not feed on the Philosophical and intellectual cultural scum, or on the chatter of oblivious people.

More than it feeds from the greatest spring.

In their innovative creative theory, Sufis re-correct detritus of a limited narrow readings by a compassionate reading, free of any judgments or reports, and Derives from the style of the conscious start from the common to rereading and rearranging the different; a reading Its origins are completely derived from the original spring of receipt.

Sufis get back the writing to its first origins and its Original and authentic springs of receipt.

They write linked to the time of the unseen.

The original time which was overwhelmed by the negligence of human and his weakness then his immortality to the earth.

In their writings u cannot find what is not required.

And who think that the god almighty isn't the required he will never taste what bother the Sufis and what occupy their mind.

Because they have a vision centered on the human and this is the essence of their creative theory.

Their creative writings are disconnected from the relatives, related to the truths.

They are a constant vigilance that do not overlook about God.

They attract the souls of meanings in order to infer the words, actions and circumstances on God almighty which is the way of the sensor and the request of the Sufi creative theory for God and its sincerity of purpose and destination to him almighty

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

مسالي، المصطفى. 2018. نظرية الإبداع عند السادة الصوفية : مقاربات دالة (الجزء الثاني). آفاق فكرية،مج. 4، ع. 8، ص ص. 90-98.
https://search.emarefa.net/detail/BIM-835570

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

مسالي، المصطفى. نظرية الإبداع عند السادة الصوفية : مقاربات دالة (الجزء الثاني). آفاق فكرية مج. 4، ع. 8 (آذار 2018)، ص ص. 90-98.
https://search.emarefa.net/detail/BIM-835570

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

مسالي، المصطفى. نظرية الإبداع عند السادة الصوفية : مقاربات دالة (الجزء الثاني). آفاق فكرية. 2018. مج. 4، ع. 8، ص ص. 90-98.
https://search.emarefa.net/detail/BIM-835570

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن هوامش : ص. 97-98

رقم السجل

BIM-835570