سيميائية السرد التراثي العربي في النقد المغاربي المعاصر

الملخص EN

Can contemporary Maghreb Arabic criticism, in its openness to western criticism, go beyond the level of theoretical reception and achieve the desired coherence between the notions of adopted theories-numerous and varied-and the Arabic text analyzed according to Their approaches? And can this criticism happen at the threshold where the boundaries are dissolved between theory and text? What is the credibility of the approaches that this criticism brings along imported theories, and wants through which - with excessive enthusiasm - to approve their effectiveness and demonstrate their ability to deconstruct the different Arabic texts? Will get hold of a few levels of the text and correctly determine some of its components-following a definite theory-that is, success in achieving determining its meaning and its deep and surface structures? And that - in our conviction - the purpose of any analysis.

All this we try to prove in this research paper by focusing on the semiotic analysis of the popular tale in contemporary Maghrebian criticism from Greimas's point of view through the exhibition of a critical reading of two models Practices that have realized not only the specificity but the celebrity as well