أثر الحفاظ على الموروث و عناصره في الإدارك الذهني للمتلقي : مسجد الكوفة المعظم أنموذجا

الملخص EN

Reflect various humanitarian outcomes for ages precedent intellectual depth, which guaranteed that the offspring, so that any process of development, maintenance or renewal by the designer without reference Intellectual references to this heritage and its components will lead to a break in the collective memory of the recipients in the context of society and get away from the assembly last images in their minds In this concept the general framework focused research.The development of civilization and the addition or modification in the historical pillars, particularly including mosques where ambiguity and discontinuity evident in how to deal with the offspring appeared Building and then led to a distortion and noise at the receiver when looking at elements of production and recognized visually through the retrieved previous image stored in his mind, and in that required problem centered discussed in "there is distortion quotient in architectural heritage over the eras, through the difference in the elements and components of this heritage in the operations: maintenance, refurbishment or upgrading, leading to a change in the visual scene and the process of cognition formal with the receiver, through the difference between the form of the original building and the contemporary, "and then was outlining the purpose of research in the maintenance of the different elements of architectural heritage and models used in the original building and of b (termination and openings and gates materials and pillars) to give maximum impression and grasp mentally to form the elements of tradition and the spirit of the place, the hypothesis that the process of preserving elements of architectural heritage when conducting maintenance, development or renewal born mentally aware with direct links to the deep spirit of the place and the dramatic events associated with this heritage and this perception is different depending on the area of mental and cognitive background of the recipient.

For the purpose of achieving the objective of this research has been the adoption of the methodology adopted to clarify the concept of heritage and tradition, preserved in historic buildings, visual perception of the image viewing, to clarify the relationship between form and expression and finally analysis of the practical application of the results and determine the findings of the research, which focused on the rapidly changing haphazard that hit the historical pillars had a significant impact in changing the extent and type of meanings perceived its components and Vdhaouath and the environment and then the loss of the old moral value, that dealing with the historical pillars need to be based on a balanced state of the design process and this in turn depends on a comprehensive knowledge of the designer when you make the process of the development of any historical constructive mode, in maintaining policies, especially in the religious pillars adopt draws direct expression of the elements in order to Athssh largest number of recipients