الخطاب الواقعي في أعمال الخزافة كاميوميشيما

الملخص EN

The realistic speech in the works of ceramists involved on meaningful metals regarded as mind indicators and the nature of looking at the worldand life , that is made the realistic shape as moving speech has the form of controlling ,numbering and difference according to the knowledgeable changing , the scientific progress and technology as well as the role of the artist /potter in creating ceramic speech to express the reality of his society , culture and ideology through an important way that is the art of ceramic , so the realistic shape acquired knowledgeable structure by replacing its current reality into beautiful new reality.

So the current research deals with the study of (the realistic speech of the woks of ceramists Camio Mishima )and it is in four chapters .The first chapter specialized to show the problem pf the research which was limited to answer the following question : What is the realistic speech in the works of ceramist Camio Mishima ? The importance of the current research is by cocentrating on the most important speech that controlling the western world to know what is going on in the western world and the culture of their society .

The realistic speech regarded as an essential side in our contemporary life and unseparated part from the life of cotemporary artist, so the knowledgeable speech for the realistic regard as a chance to know the knowledgeable facts and enhance the cultural cerrculims and acadimic in the statues , colleges and fine art centre.

The aim of the study is to know the realistic speech in the works of ceramists Camio Mishima .

while the limits of the research involved the objective limits by studying the ceramic works for the real forms in temporal limits ( 2012-2016 ) and spatial limit in Japan and the terms has been reviewed in the tittle .

The second chapter specialized for the theoretical framework and the most important indicators that resulted from it and the previous studies , so the theoretical framework involved two researches : the first states the realistic speech in contemporary art, while the second research deals with the shape of the speech in contemporary ceramic.

The third chapter deals with the procedures of the research and included the communityresearch, which the researcher adopted the describing method analyses way based on the indicators which the theoretical framework resulted from it as a tool to analyses the sample of research which come to ( 3 ) ceramic works from the combination of ( 30 ) ceramic works .

The fourth chapter deals with the results that the research come with it : 1 .

Producing the realistic figure in the works of the ceramists Ca-mioMishima represented moving speech in the field of sensual pleasure, so the realistic shape came as knowledgeable building of the structure starting from the visual experience as it is displayed in the model .

2 .

Speech through the realistic figure in the works of CamioM-ishima represented the value of funny reality through realistic vocabulary far away from deliberative area of ceramic art.

As well as the conclusions of the research , including: 1 .

The speech in the realistic ceramic shapes is the process of restoring of having the perception taste for the aesthetic in the ceramic formations visually .

After leaving these patterns , their places and first functions .

2 .The realistic shapes form reading and reviving the evaluation of margins , documents that formed the current age , so the real shape in the works of CamioMishimo convert the structure of borrowed vocabulary into a group of letters .

And contiue with the conclusions the recommendations have come then followed by the suggestions , the list of sources and references.