جماليات التشكيلات الحركية للمجاميع في عروض كلية الفنون الجميلة-جامعة الموصل

الملخص EN

The moving groups took a great space in the structure of the dramatic show, during the 20th century, which based on well-organized aesthetic bases in furnishing the spaces of the visual discourse, and had important effects on the temporary directing mechanism through dealing with the elements of the dramatic show.

And in the shed of those mechanisms the scenery image of body movement took the foremost position in the concerns of the recent dramatic show.

In the light of what is mentioned above, the researcher divided the study into four chapters; the first is the methodological approach starting with the problem of the study.

Then the importance of the study and the need for it, the aim of the study, also the study included the spatiotemporal and objective limits of the study, then the chapter ended with characterizing the terms.

The second chapter included the theoretical frame of the study divided into two sections; the first: aesthetics of constituting moving groups and its role in constructing the dramatic space.

The second section: the mechanisms of working on constituting the moving groups in the international theatre.

Then came the factors resulted from the theoretical frame to constitute the tool by which the samples of the study were analyzed, and by the tool and the methodology of the study, and by selecting intentional sample; the sample, represented in the dramatic show of the play (The Scream of Antigona).

The fourth chapter included the findings of the study and also included the conclusions, recommendations and suggestions which were listed in the bibliography of the study.