جماليات الصورة الشخصية في رسوم عصر النهضة

الملخص EN

The present research includes the aesthetics of the personal picture in Renaissance drawings.

The study deals with the interest and transformations in the structure of the form and the transformations in the artistic styles and the role of patterns in directing the working mechanisms in the styles of the great artists of that era.

The problem of research, which is clear through the question: What are the aesthetics in the personal drawings (Burrit) in the Renaissance? The current research aims to: define the aesthetics of personal drawings in the Renaissance.

The limits of the research were limited to the study of personal drawings in the Renaissance and the temporal period from 1300-1520.

The second chapter included theoretical framework and previous studies, The second topic deals with the concept of personal image, stages of its development, main styles, design elements, personal image types and stages of development in Europe.

The second topic deals with the aesthetics of the personal image in the Renaissance.

The artists of this period, especially Giants, Bocelli, Leonardo Duff The third chapter included research procedures, sample, research methodology, research tools, and sample analysis.

Chapter 4 included the results of the research.

And conclusions as well as recommendations and proposals, and the most prominent findings of the researcher: 1.

The image of the image in the Renaissance is a huge aspect of the format of the drawings of important figures, often photographed VIPs, which appear in the form of the presence of the reverence and Highness and in terms of construction and type of clothing 2.

Religious figures had a wide and distinguished presence in most of the works of art, especially in personal drawings in the Renaissance.

3.

Characterized Renaissance drawings (personal images) in subjugation of the face of quiet gestures characterized by most of the Renaissance artists and this attribute was derived from their reading of ancient history.

One of the most important conclusions: There are artists whose work was characterized by excessive realism in personal drawings, so that the focus was to show the aesthetic dimension in the personal picture and realistic to the degree of representation of reality