القصيدة الجاهلية من التشكيل اللغوي إلى التمثيل البصري

الملخص EN

"The procedures that allowed the plastic language in its classical logic in the pagan poem to turn into a plastic language but of a particular kind in which any semantic opening is dependent on the predominance of the components and elements in their interactive relationships and complex.

with in this process, the senses are involved, including the eye in particular, to develop the aesthetic frameworks of this adventure, the reason why we are dealing with an imaginary and visual discourse that is not limited to description and the classification of its neutral semiotic components from signs only but on the criticism of its suggestive levels in order to reach the modes of the production of meaning and to explore the manifestations of the myth which is a second semiotic motive.

thus, when the mechanism of figuration mixes with the forces of imagination in the poet, we find ourselves in front of a visual poem whose language used describes mythical illusionary worlds invented by the poet who transmits them from the language of the poet abstract to the language of the perceived and the visual."