النقد المسرحي في الصحافة السودانية تاريخ النقد تاريخ الكتابة

الملخص EN

The study has followed the journey of writing about theater in the march of the Sudanese press since its inception, the beginning of the twentieth century, so it is difficult to begin to apply the name of criticism, it was a short narrative story of a play staged by a community of communities coming to Sudan after the occupation The theater, the act, and the writing, did not belong to the Sudanese.

This may be due to several reasons, including caution and hatred of cooperation with the foreign rapist, We Which was built on the ruins of a national state (Mahdia), and also for a few learners and considering the theater a modern practice not known and know the Sudanese learners to tell them then.

The hypothesis of the study is that the writing and critique of journalism corresponded to the conditions of the press (mediator) in that it addresses a nonspecialized reader and therefore imposes its conditions on the writer.

Hence, there was no dramatic criticism of its foundations and scientific standards in the Sudanese press.

Specialized or lack thereof and the stumbling of cultural annexes and many other reasons, the profession of writing practiced writers who are not specialists in the field of theater criticism, which is familiar with impressionist criticism.

The specialists on their stories did not constitute a salary in the cultural appendices.

In a historical and analytical approach, and also witnessed the period of major transformations experienced in modern Sudan affected and greatly in what we are witnessing now.