الإيهام البصري في الخزف المعاصر : الأمريكي نموذجا

الملخص EN

This study (visual illusion in contemporary ceramics(American Ceramic as a model) is an attempt to study and understand the concept of visual illusion in ceramic structuralism of the ceramic body through its performance and its aesthetic, artistic and applied values as one of the modern techniques that received the attention of the recipient by arousing the aesthetic sensation His promise is part of the creative process.

The inspiration works to blow the energies of the creative artist, including the work of the evocations that attract and attract the recipient while watching the artwork reflects the spirit of society and age, which simulates the acceleration of lifestyles around us.

In order to understand the concept of visual illusion in art, we need to understand and organize the relationship between the peculiarity of ceramics and the integration with the aesthetic and cognitive phenomena, and in order for porcelain not to be isolated from the rest of the cognitive achievement, it has created the creative space in this field.

Based on the nature of the subject, the research is divided into four chapters.

The first chapter deals with the problem of the research, its importance and the need for it.

The objective of the research is to define the visual illusion in contemporary ceramics (American model).

The second chapter deals with the conceptual framework and the previous studies.

The first chapter deals with the concept of visual illusion.

The second topic deals with the applications of visual illusion in contemporary art (drawing - sculpture).

The third section presents the features of visual illusion with contemporary ceramics ), And ended with theoretical framework indicators.

The third chapter has contained the research procedures and included the research community and appointed and its tool and methodology, as well as the analysis of the research sample amount of analysis (6) visual artistic models of the products of ceramic art.

The fourth chapter included the findings and conclusions of the research which came out with ideas and contents based on the applications of visual illusion on the surface of the ceramic work.

The potter sought to access the visual formations of visual illusion by emphasizing abstractions of geometric shapes to give aesthetic properties through the mechanisms of visual illusion.

The researcher also tried to mention a number of recommendations and proposals.