تمثلات الهوية و دلالات التشظي في لون أخر للرماد للشاعر مضر الآلوسي

الملخص EN

The Poet, through his poetic vision, was able to identify the differences by forming an active vision in his poetic text, which crystallized the formation of identity.

The texts are based on their views on movement and change, and the patterns in which they are applied to the aesthetic and artistic aspects.

Thus, the effectiveness of the literary text is strengthened and it begins to reveal its aesthetic purposes before beginning to spread the concerns of the people And the statement of a climate of anxiety and suffering in it.

Therefore, the poetic text, in all its artistic and aesthetic meanings, produced some formulations that are indicative of the identity of the homeland and the self in which it is incorporated.

It was in the form of flashes, a declaration that the poet proclaims to raise the voice of rebellion and rejection of all forms of absence and absence.

Which is a symbol of the transformation of the text into a revolutionary act in which the poet is the starting point of the internal self-movement seeking to establish the idea of belonging through the artistic and aesthetic values in the text.

Thus, the self conforms to its human and national identity, it splits and splits in the text With nudity equates visions, as well as the visions Outpouring within the self, which creates a multiplicity of meanings and broader visions, so named its tracks poetic consciousness signifier, and distributed ideas on the poetic text path, as self-made operator intellectually to crystallize her.

Perhaps the context in which these visions are employed tends to adopt a textual structure based on trimming and selection, as well as election and condensation elsewhere, as a poet capable of elucidating some of the confrontational positions and making the text truly eloquent, creative, engaging, transcendental, integrated and visionary.

These texts are suffused with the human pain that is subdued by the self, and that the nature of recruitment lies in the qualitative achievement.

The poet has highlighted the obsessions and obsessions in successive poetic panoramic images, but is practicing critical thinking of a dispersed reality.

Changes and changes, but enjoy the meanings of identity that can not be dispensed with.