سيميولوجيا الفن الإسلامي : مقاربة تحليلية للدوال البصرية و دلالاتها الرمزية

الملخص EN

The role of Islamic art - with its various techniques, methods and forms - was not limited to expressing the aesthetics of workmanship.

It goes beyond the expression of intellectual and social values through the visual language of form and artistic construction as a kind of pure abstraction.

It was founded through Islamic visual visions and philosophy stemming from the understanding of the Islam, contrary to Western artistic abstraction.

Although this art has replaced the pictorial figurative painting with its forms, voids, shades and light, it has been able to provide pure visual solutions that are pure and rich in social and human connotations expressed through pure visual elements, which the Muslim artist has employed in the construction of his visual texts, whether it is architecture, geometric decorations, or floral, etc.

This semiological study monitors the artistic and aesthetic signifiers directly related to the life and needs of Muslim, based on a deep understanding of Islam and its moderate philosophy that combines the sacred and the worldly, links theory and practice and uncovers the presence of these connotations in the Islamic visual text.