مسرح جورجيو ستريهلير و تأثيراته في العرض المسرحي العراقي

الملخص EN

The Iraqi theater has witnessed in recent periods the openness to many Western theater experiences, especially the experience of Iraqi directors of contemporary and modern European theater experiences.

Arab orientalism in general and the Iraqi in particular has played an active and important role in developing the theater system in terms of text and presentation.

Theatrical scene, and the experiences of the Italian theater system knowledge in terms of practical and scientific result of the absolute work to search for the grassroots that support the plays of rhyme and aesthetic and then make theatrical art open to all Malat and developments on the level of technical and physical performance, including the experiences of the Italian director Giorgio Streheler, which influenced and influenced by the experimental old and modern attempts to link some of the methods in the production of theatrical one reflects the nature of interrelations in the play scene, and here tries the researcher and through this research entitled (Theater Giorgio Streheler And its effects in the Iraqi theater play) to reveal the nature of this effect and whether the Iraqi director benefited from these experiments, and this research included four chapters as follows: The first chapter deals with the methodological framework of the research.

The problem of research was about the following question: What are the technical treatments that characterized the performances of Giorgio Streheler theatrical, and what is the impact in the Iraqi drama aesthetic and artistic? The importance of research and the need for it are: Where the importance of this research is reflected in the fact that it deals with a special task in the theater of Iraq, modern and modern, in terms of benefiting from Western experiences, including Italian in terms of technical recruitment to qualify their theater performances from the scientific and practical, The research objective was as follows: The technical treatments in the performances of Giorgio Streheler, and their application in the Iraqi theater aesthetic and artistic.

The limits of the tripartite research were limited by the following limits: Time: - 1997 – 2013 Spatially: - Iraq Objectively: Studying the theater of Giorgio Streheler and its effects on the Iraqi theater The second chapter included the theoretical framework, which included two studies and was as follows: The first topic :-.

The intellectual and artistic references of Giorgio Streheler The second subject: The characteristics of the play picture at Giorgio Streheler The second chapter of the previous studies and the theoretical findings reached by the researcher The third chapter included the research procedures, namely, the research community, the research sample, the research methodology, and the sample analysis, and one of the plays was selected for analysis in order to reveal the goal of the research The fourth chapter contains the results of the research as well as the conclusions, as well as the chapter contains a set of recommendations and proposals and proven sources