الرواية الجزائرية من منظور النقد الروائي : مقاربة نقدية تحليلية لظاهرة التعالقات النصية عند واسيني الأعرج

الملخص EN

The Arab modern novel has remarkably developed because of its openness on the rest of other literary genres.

The novel possesses some of the internal qualifications that its narrative structure is capable of absorbing some of the neighboring and non-related literary forms without paraphrasing.

The circle of their critical preoccupations, as Todorov puts it, is all-consuming.

In the novel, the identity changes to draw central questions about the problem of literary naturalization, which oscillates between the consuming standards and the ambitious epistemological dimension.

Such an antological problematic had always imposed itself since Aristotle "The Art of Poetry" (4C B.C) to the Modern Age with the efforts of the French structural critic Gerard Genet in his book "The Genre", which was published in 1989.

Hence our interest is to search for the problematic of textopenness with the Algerian novelist Wassini Laaredj on other literary texts without modifying the narrative identity and the components of the text, probably due to our appreciation of the capabilities of the experimental writer and his technical readiness, which gave him the mechanism to respond to the new facts yielded by historical, cultural and social developments which seek to review the narrative consciousness of the contemporary Algerian reader.

Intersections are quite apparent in Laaredj’s narratives since he did not end up with his experimental voyage that took him to all hedges of human life .