ايقونولوجيا الصورة في الفخار الإغريقي القديم

الملخص EN

The art of any nation and its cultural manifestations reflect the nature of the ideas of this nation and its vision of the world around it.

The greatness of its cultures is directly reflected in its art and the image of the Greek pottery is a testament to the aesthetic sense of the effectiveness of the ideology of ideas associated with the forms of trading in that historical era.

Art, which led to the transfer of visual tasks on the level of achievement and technical display of the forms and images executed on the surfaces of pottery, so the current research included four chapters: The first chapter deals with the problem of research, which arose by answering the following question: What does the iconological image mean in the ancient Greek pottery? It also included its importance and the need for it and the objective which means the definition of the archeology of the Greek civilization.

The second chapter included two topics: the first (the mechanism of the iconological work in the technical picture) and the second (the iconological thought of the ancient Greek pottery), and the indicators that resulted from the theoretical framework.

The second chapter ended with the previous studies.

The third chapter, which included the research community and the method of research (the method of iconography), and the research tool, the indicators used by the researcher to analyze the sample of the research consists of (4) model of civilization.

The fourth chapter included the following conclusions: 1 -The iconological picture varied with the variety of sensory and fictional perceptions of artists and from time to time in the method of implementation (realistic, expressive, fictional, scientific) in all the research sample.

2 - the signs of movement in all models, achieving visual attractions symbolic symbols of Goddess and heroes and most animals associated with the idea of power, as technical treatments emerged from the vision of the interpretation of its association with the formulation of iconography known to the Greek community to be consistent with the content of what appeared in the position of sitting or standing or facial features and hand gestures in addition to To the movement of progress forward and backward helped to investigate the event and the iconic gestures required by the community to hold a magical ritual or utopian.

3 - The Greek artist borrowed the idea through the means of metaphysical expression for the formation of conceptual and intellectual complexes represented in the head of the bull (symbolic icon) and ax (sensory icon) and wheat germs, which came a sign of the effective sense of fertility and development and this is illustrated in the model (1) As it contains the following conclusions: 1 - took the approach of the iconography of the ideas prevailing in ancient societies and the investigation and the appearance of the analysis of the sample, it is the act of dialectical relationship between the text and the recipient through the tools of analysis and dependency that the critic to the process of linking between the signs in the text of (reference, icon, icon) The time of its production, the reading of the signs and its impossibility and then its interpretation to the recipient through the iconic figure of that text, and the intellectual dominant that presses on the speech of the declared image.

And also included recommendations and proposals.

The research ended with Arab and foreign sources, supplements, title and summary in English.