جماليات السرد الأدائي للممثل في العرض المسرحي العراقي

الملخص EN

The subject of the narratives was opened in various fields, and after taking a wide and varied work in all literary genres.

Studies and research were studied in other fields that might appear to be adjacent or Mahaiser.

The performance of the representative in the Iraqi play] includes four chapters, as the first chapter came in the methodological framework, including the problem of research focused on the question [what is the narrative and how is the narrative performance of the representative? The research also included the importance of the research and its need as the narrative overlap and alliance with the performing arts, Combine the chapter of the research objective into a definition P aesthetics performative narrative of a representative in the Iraqi theater, has been in research alone determines the spatial Babylon, and the time limit [2019] study the aesthetics of united subject performative narrative of a representative in the Iraqi theater, and concluded chapter identifying procedural terms and definitions.

The second chapter, the theoretical framework, included one subject [aesthetics of the performance narrative of the representative] and concluded the chapter of previous studies and indicators that resulted from the theoretical framework, and the most important: 1- Physical narration refers to the physical senses of the individual and then goes to the spaces of the soul.

2- for the narrative aesthetics provided by the physical performance of the representative or verbal references social psychological.

The third chapter deals with the research procedures, including the research society which includes [10] Iraqi theater performances, according to the temporal limit, and the same research included the same one, the play "Imagine the Lost Word" by Alireza.

It also included the research methodology and its content and then the sample analysis.

The fourth and final chapter contains the results, including: 1- approaching the narrative of the performance of reality indicates that the aesthetics of the recipient and distinctive to communicate.

2- The body stops narration because of external pressures prevent him and restrict his movement.

3- The more the narrative performance of the representative closer to the reality whenever he has a very distinctive aesthetics.

Then came the conclusions and the most important: 1- the existence of narrative and aesthetic performances in all arts and literature without exception.

2- narration is determined by the existence of the narrator and what can result from the performance of aesthetics of the highest reality.

Recommendations and proposals The research concludes with my list of sources and a summary of the research in English.