القيمة الجمالية للألواح الزجاجية المرسومة و توظيفها في التصميم الداخلي

الملخص EN

The technological development alongside techniques of interior design seeks to achieve an integrated scheme through design concepts, a scheme that is considered as a base of aesthetical and functional evaluation of a design product.

The drawing on glass is one of the renewed design concepts which have sought to enrich the interior design, most of interior designs have glass or mirror component, so why don’t they be paintings within interior scheme; an attractive glassy paintings add aesthetical and romantic values to the interior space when using them within the overall scheme of interior design as an element; the usage of painted glass is determined by design principles.

The painted glass might be a major cause that changes entire form of a space through either boosting size of a space or making spatial illusions since the glass is transparent or semitransparent.

The goal of this research is to know how much the painted glass is compatible functionally with interior space.

In order to achieve this goal and investigate the problem, the research has structured an information base through sections; first section demonstrated the background of main research vocabularies, research problem, the goal, significance of the research and the research limits.

In the second section, the research explains first steps in solving the research problem, this section were categorized into five axes.

First axis demonstrates a historical brief of painted glass in architecture and interior design.

Second axis browsed the emergence and evolution of painted glass.

The third axis shows the techniques of painting on glass.

The fourth axis discussed the concept of aesthetic values of interior space.

Finally the fifth axis discussed the influence of glass panel’s shape over interior space.

The third section dealt with methodology and case study.

The case study would be three intentional examples.

Eventually, the fourth section will be presenting conclusions and recommendations of the research.

Below are the most signifcant results of the research: The possibility to create a design work and make a an aesthetical reality for interior designer doesn’t come only by dealing with sensory and material data that embody the scene through total structure of interior architecture, and by studying interior environment before formulating the concept regardless the designer being part of this environment or not, in order to add an atmosphere of cohesion between interior design and artistic work in a way shows the actual connection in between.

The expressional factors and aesthetical values of form share in achieving symbolic values whether for interior spaces or for the formal vocabulary of space, where the semantics in modern colored glass graphics derived its formal structure from the overall design of space, which enhances the interdependence of meaning scheme of space so that it leads to an interaction of these factors with design vocabulary enhancing the prompting concept of communication between the user and interior design of space.