الهيئة البشرية و تمرحلاتها في منحوتات عصر النهضة

الملخص EN

The human body in the artistic achievement has witnessed many movements through the chronological sequence of the historical events since the time of the first man.

The methods of implementation varied according to the diversity of cultures according to the data and the intellectual and ideological variables.

We can know the subjective and objective motives resulting from the structure of these variables.

Time, although each age has its own perceptions and artistic methods that distinguish it from a precedent The first chapter contains the methodological framework for research starting with the problem that ended with the following question: What is the human body? What are the aspects of their work in the composition of the grammar? The importance of research lies in the fact that it sheds light on the themes of the human body and its journeys as a conceptual construct in the Renaissance sculptures, which constitutes a new reading of the sculptural texts that date back to this historical period, The purpose of the research is to identify the human body and to move it to the level of thought and form in the Renaissance sculptures.

This chapter also included the boundaries of research which were objectively identified with the sculptural product in the Renaissance, and in Europe and in the fifteenth to the sixth centuries And then the terms in the title were defined linguistically, legally and procedurally.

While the second chapter included the theoretical framework and the previous studies of the research.

It included two basic subjects about the first subject: Human body movements in artistic achievement through antiquity.

The second topic came under the title of human body movements in the Middle Ages.

Which included the body's turnover of humanity according to the period of time of this era, and then followed by the indicators that resulted from the theoretical framework.

The third chapter was based on the procedural framework that included the research community, including Renaissance sculptures (protruding and stereotyped), consisting of specific models studied in relation to the investigation of the human body concept and its journeys in Renaissance sculpture.

(15) as sculptural texts that refer us to reading the concepts of the human body and its movements in line with the objective of the research and its problem, as it was chosen in a rational way according to the reasons of the researcher to achieve the goal of the research and the models were chosen, depending on the texts in which the human body intensified within.

The researcher relied on the cognitive and aesthetic indicators that resulted from the theoretical framework as a research tool, and then the analysis of the sample to obtain specific data.

The researcher relied on the analytical descriptive method as Methodology in technical and aesthetic studies.

The fourth chapter was a presentation of the most important findings of the researcher after analyzing the sculptural models that represented the research sample.

The most important of these was: The Renaissance artist used the realistic method in the embodiment of his sculptural work.

The attention to the precise details of the parts of work, the attention to correct proportions and muscular anatomy, It is clear to us that the artist's desire and his attempt to reach the ideal model of beauty, which is part of the philosophy of the age.

In light of these results, the researcher reached a number of conclusions, the most important of which is: The human body through its trajectories is important in creating an aesthetic dimension to the sculptural works.

, Followed by the recommendations and proposals of the current study, and in conclusion, the sources and references that contributed to the theoretical foundation of the research.