القيم الجمالية لدى بعض مفكري الإسلام: أبو حيان التوحيدي وابن الدباغ نموذجا: دراسة تحليلية تأصيلية

الملخص EN

The research aims to deal with a value of human and philosophical values, namely "beauty" or artistic creativity and aesthetic taste.

And seeks to consolidate the philosophy of beauty among the Muslim Arabs from their original appearance, away from foreign intellectual influences.

The research also reveals rich material and aesthetic foundations distinct from themselves and derived from the characteristics of the Arab-Islamic society, and therefore found throughout Islamic history thinkers, philosophers and mystics who had their aesthetic and artistic views.

This research was limited to two models, especially Sufism, where they gave great care.

They were transformed from sensual beauty to spiritual beauty, and moved with their senses to a divine, divine world in which all eternal and eternal values are represented by rolling and flooding.

The research also aims to highlight on these two thinkers (Tawhidi and Ibn al-Dabbagh), for the little known of them, despite the many contributions they made to Islamic thought, especially in the field of artistic creativity and aesthetic taste, and the integration of philosophy, literature, poetry and mysticism.

Research Methodology: The research was based on the analytic method of deductive analysis and analysis of texts and ideas and the extraction of information from the texts.

The research also relied on the explanatory method by rooting and demonstrating all the ideas and theories presented by the original sources.

The researcher dealt with the study focusing on the following aspects: Introduction: It included the importance of the subject, the reasons for the selection, the research methodology, the previous studies and the research plan.

Chapter I: Aesthetics: its origin and development, and the definition of research terms.

Chapter Two: The aesthetic values in the Holy Quran and the Sunnah.

It contains two sections: The first section: Islamic rooting of the philosophy of beauty in the light of Quran and Sunnah.

The second section: Translation of the personality of research (monotheism) Chapter three: The aesthetic values in the thought of Abi Hayyan Al-Tawhidi and Ibn al-Dabbagh and contained two topics: The first section: aesthetic phenomenon in the writings of Abi Hayyan Tawhidi.

The second section: aesthetic phenomenon in the writings of Ibn Dabbagh.

Then the conclusion and indexes.

The research ended with a number of results: 1- Authenticity of aesthetic thought in Islam, and care for the beauty of both sensory and moral.

2- The mystical media especially the great effort and clear in their books to raise the behavior and selfimprovement and promotion to the highest rank, as well as aesthetic creativity and taste stemming from their Islamic religious belief.

3- It was not the purpose of those who are concerned with aesthetics, as they are known in the modern era, as aesthetics.

Their aesthetic vision came from the general view of the universe, based on intuition, inner imagination, and radiance confirms that what is found in the universe of beauty is a flood of divine beauty