تجسيد المأساة و الحوادث التاريخية لدى الخزافين المعاصرين في كوردستان : السليمانية أنموذجا

الملخص EN

This study is concerned with the study of "The embodiment of the tragedy and historical events of the contemporary ceramics in Kurdistan" (Sulaymaniyah model) in an attempt to study the reality of the tragedy and historical incidents experienced by the Iraqi people and the Kurdistan region in previous eras, and reflects all this in the artist's imagination and artistic imagination, and tries to embody those tragic through their artistic achievements and ceramic works in response to the legacy of the cruelty of war between the people and especially the artists, Halabja and genocide (Anfal), forced displacment and mass migration and terrorism in the name of religion.

The research included four chapters that included the first chapter of the problem of research and its importance.

The problem of research has emerged in the questions that involve an important question about how to embody the tragedy and the historical events of the modern ceramics in the Kurdistan region after the uprising of the Kurdish people in March 1991 against the fascist regime in Iraq.

Then the research included its importance, need, and objectives.

The objectives of the research were : Definition of the embodiment of the tragedy and historical incidents of the contemporary ceramics in Kurdistan.

The second chapter (the theoretical framework) included two sections, the first of which is the study : (Historical overview of the concept of tragedy and historical incidents).

Genocide in Iraq and the Region of Kurdistan Currently ...

In the second part, the researcher touched upon the "tragedies and historical events in the arts of the world ...

I have artists in the Kurdistan region Focus on a-A substantive reading of the works of art on the embodiment of the tragedy and historical events in the world B-The embodiment of the tragedy and historical incidents of contemporary artists in Kurdistan with regard to chapter III (research procedures) The researcher identified the research community and its eye and methodology and tools in the analysis of ceramic works, (6) of The ceramic model for the Kurdistan ceramic artists selectively samples sample samples according to the achievement of research objectives.

The researcher in the fourth chapter reached the results of the research.