العلاقة الترابطية بين التطور الجمالي الفني و تكنلوجيا الفنون الرقمية

الملخص EN

Philosophers were concerned with the beauty and formality of all their intellectual ideologies by studying the developments in the various artistic productions and works.

Including the pragmatic philosophy of linking theory and practice.

And deal with art and aesthetic attitudes towards perfection and perfection to keep up with daily life.

The various forms in nature are embodied by the elements of the aesthetic composition, including the lines, sizes, surfaces and colors that are characterized by aesthetic values and expressive and iconographic meanings.

Each one of them has great importance in artistic composition, directing and showing.

It carries with it a message to the recipient which adopts the elements, shapes and symbols of the manual in monitoring, analysis, interpretation, interpretation, taste and monetary argumentation.

All this drew the attention of the researcher in the monitoring and detection of the relationship between the elements and shapes and their impact on each other and the reflection on the overall form of the artistic product and digital art product.

Which reflects the technical and digital developments in the field of arts and design that the world is witnessing in cultural and material aspects, in all societies and in all fields.

In turn, there is a change in the nature of the raw materials used and their combinations to give the final form in line with the general development of the prevailing taste.

These developments are markedly dependent on peoples' customs, cultures and lifestyles.

And linking them to the fields of knowledge of the arts to reach the integrative interdependence between their theories and concepts of art and beauty.

Hence the importance of the scientific need for specialized study on the nature of the interrelationship between artistic aesthetic development and digital arts technology.

Because it is one of the modern and contemporary artistic trends characterized by artistic dazzling and accuracy in the implementation, influence and effective impact on the recipient.

And in a strong focus on artistic creativity (drawing and painting) in particular.

And the high-quality coloring in color consistency, mixing and cleanness.

This was due to the use of modern technology and multimedia in the field of plastic arts by the plastic artist.

Therefore, the problem of research was identified by the questionnaire? • What is the scientific need to know the relationship between artistic aesthetic development and digital arts technology and technology? • Was the relationship between artistic aesthetic development and digital art technology based on philosophical philosophical ideas? • Is there a correlation between shape, size and color in the plastic artwork and digital works? • Does the correlation have a clear effect on the final form of the artistic painting embodied by the Iraqi artist and digital technology? • Can digital technologies work to attract the receiver away from the creative possibilities of the plastic artist to portray his works of art or design? The research objectives were defined as: 1.

Disclosure of technical and technological development and its characteristics in drawing and design.2.

Disclosure of the mechanisms of interaction between the artistic aesthetic development and the digital arts technology.

This was done by analyzing a collection of drawings and digital drawings, focusing mainly on the technique and nature of the design, which is similar in the artistic aesthetic development and the digital arts technology and is used in the technological and aesthetic methods and their relation to the aesthetic or subjective trends or both which enable the recipient to understand the role of techniques in artistic creativity, .

Artists and designers try to create highly innovative images and original designs influenced by theories, philosophies and techniques.

The research came in four chapters, which included the first chapter of the methodological framework of research.

The second chapter presents the theoretical framework of digital technology and the form and the most important elements of the composition of the artistic painting.

Aesthetic theories, interpretations, and aesthetic interpretations.

The third chapter was included in the research procedures and methodology.

research community.

The research sample.

Business analysis.

And chapter IV.

Arab and foreign findings, conclusions, recommendations, proposals and sources on which the research was based, as well as an in Arabic and a summary in English.