المتغيرات السياسية و الاجتماعية في المسرح المصري

الملخص EN

Background: Egyptian society witnessed since 1952 until now, significant changes that had a great impact on the cultural life of the community.

Egypt has passed varied intellectual "Ideology" which impose itself on the Egyptian theater, so this research aims to monitor the changes of political, economic and social development in the Egyptian society and the statement of its impact on the dramatic structure of theatrical texts displayed after the revolution of July 1952.

Problem: The dialectical relationship between theater as an invention art and reality of the political and social changes.

The basic question of the research is How does the playwright interact with major events experienced in the country and the influence on the construction of the elements of drama? Research has addressed several topics including: Theater and society.

Marxist interpretation of the relationship between literature and society.

Structural interpretation of the relationship between literature and society.

Theater in the service of proletarian revolutionary movements.

Theater Alpescatora and cohesion issues of the masses.

Sociological approach to the study of theate.

The impact of the July Revolution and the military rule on the Egyptian Theatre.

Realism movement impact on the revolution of July and the theatre.

Results and Recommendations: Specialists agree on the existence of a link between the theater and the community.

The link between theatrical art in Egypt and the concerns of the nation.

The revolution was able to awaken the awareness and intellectual’s sense.

Some writers change orientations in the Egyptian theater to gain support from the recruitment intellectual.

The political ideas weren't directly expressed, but were equivalent to an event or a leading figure.

Over extended periods, theater wore ideological features in favor of the ruling regimes.