التشكيل الإبداعي للنص الصوفي : أبي بكر الشبلي اختيارا

الملخص EN

The Sufi text was characterized as being a text in which the creative elements of literary texts are evident.

It is a text full of aesthetic and technical characteristics, be it on the content level or the creative recruitment of the language.

And because the mystical experience is a deep individual subjective experience, it represented an intuitive scouting glowing trend of the essence and beauty of life.

The language of the Sufi text was characterized by a suggestive dimension based on revelation, and it called the Sufis the symbolic structures that do not reveal as much as they obscure nor illuminate as much as they simplify more shadows and do not declare as much as nodding and waving behind a veil.

Which made mystical texts mysterious and closed on the one hand and open to interpretation on the other hand.

The compositions came chunky to the fundamentals of formulation and construction as well as aesthetic and creative formation immersed in subjectivity and directed towards the olute and away from the immediate utterance.

And the poet Zahid Abu Bakr Jaafar bin Yunus Al-Shibli, a Sufi poet in the Abbasid era whose poetry was printed in the nature of tenderness and sweetness, went with his texts towards depicting the spiritual grandfather and his longing for the closeness of the one beloved and the eagerness mixed with the distant distance and the lack of connection to transcend sensual meanings to spiritual meanings and go beyond the direct craft to the broad interpretation.

The research dealt with the areas of creativity in the Sufi text, explaining its most salient features, aesthetic functions and its ultimate ability to perform meaning, especially Sufi meanings with open, unrestricted connotation based on spiritual meanings that inspire the depth of the emotional experience.