شعرية الشعر و لذة النص الأدبي عند حازم القرطاجني : قراءة في مهيئات التبليغ و الإبلاغ

Abstract EN

The purpose of this study is to reveal the primacy of Arab rhetoric and legacy in dealing with the new problems that the critic, the scholar and the thinker of our time have developed during a period of research, study and of research, the most important being perhaps the poetic, artistic or aesthetic, which capture the recipient and push him to dialogue to extract the meaning and meaning.

He felt the pleasure and pleasure he enjoyed after being involved in the research process, which is not only defining the meaning, but making the linguistic effort necessary to reflect the actions you have heard.

These ideas, and their similar intersection - between poetry and deliberation - have their roots in our former Arab critic, notably Hazem Carthaginian, who was interested in monitoring the movement of poetry and trying to establish a science of holistic poetry and the concern of those interested in the poetic text, now by Cohen Cohen and Quinn, and Gerard Genet and Jacobson and his collaborators.

And follow the artistic foundations of the institution of aesthetic idealism, coherence and harmony and take into account the conditions of the interviewers and the context.