المواطنة في العرض المسرحي العراقي المعاصر : مسرحية (مكاشفات)‎ إنموذجاً

Abstract EN

The project deals with (citizenship in the contemporary theater of Iraq) it is contains four chapters .

Chapter one deals with (me thodological frame work) the problem of the research which it identified as following : the concept of citizenship and mechanisms embodied in the contemporary theater of Iraq.

the importance of research in the concept of citizenship , and the associated implications , and identify the contents of the individual relationship of belonging and identify their rights , and duties and clarify these contents through the theater.

In fact it helps the researchers from students , and the teachers to have an idea about implications of the performance of the theary , and raise the level of awareness , and attendance of national affiliation .

the aim of this research to know ( the citizenship in the contemporary of Iraqi theater), And the limits of spatial , and temporal , and objectivity of the research.

Spatial limited and temporal focus on (Mkashifat) show which it submitted in Baghdad on the national theater in (2016 m), and the substantive reduction of standing ( the citizenship in the contemporary of Iraqi theater), and the chapter ends with (citizenship), and it is definition.Chapter two deals with (theoretical frame work) it divided into two sections: The first section deals with clarity the citizenship references and fields.

The second section deals with the concept of belonging of theater .

The chapter ends with indices resulting from the theoretical framework .

Chapter three : deals with (procedural framework ) it contain sample analysis intentionality installed in the title search (play mkashifat) by director Ghanim Hamid 2016 m.

Chapter four deals with the resultant and conclusions, recommendation and propozals.

It following by a list of sources.