البنية التشكيلية في نتاجات التصوير الإسلامي : المدرسة المغولية في الهند إنموذجا

Abstract EN

This search tackles the study of "the contraction form of conclusion for Islamic photography".

Indian Magholi School as example.

The first term deals with search problem and its importance, needs, aim, limits and identify the most important items in it.

The search problem tackles the subject of study of the contraction form of conclusion in Al Magholya School in India which is considered one of the first schools in Islamic photography which is taken different patterns for other Islamic schools.

The form in magholi photography work differs from shapes, ideas, and events as well as stylistic vision which complete by all the structures of forms to photographic scene.

This problem showed important question which is how the Muslim artist in Magholya School in India can change structures forms of photographic conclusions.

The second term tackles two searches, the first one deals with the study of structure form in Islamic art.The second term tackles the study of the form of Islamic photographic conclusion.While the third term search procedures.

The forth term tackles results and conclusions of the search.

Firstly: results of search - Formulations charachterized by Magholya school graphics in India by clear effect in two schools (Persian and Indian) by its reliance on structure of dates to these two schools.

- The Islamic artist use into account the rules of perspective in his paintings in the Magholya school in India.

Secondly: conclusions - Interests formal for images to this school reflected by intellectual natural transformation for artistic Magholyian in general in India.

- Psychological، social and religious effects were in the Magholyian school in India gave reflectivity dimensions for aesthetic effect content and its relation of artistic effect in artistic paintings.