متوالية (المثنيات المتلازمة)‎ و أثرها في تشكل رؤية النص الشعري : قراءة في (وطن بطعم الجرح)‎ مشتاق عباس معن

Abstract EN

Contradiction is considered as a linguistic and rhetorical art in which the visions, thoughts and meanings thrive to generate a text steeped in other visions to be employed in a context for scope expansion.

Such is quite manifest in the poetics of the poet Mustaq `Abbas Ma`an whose text is an abode of thoughts and visions to be in the pinnacle of their revelation.

In certain conjectures, they reach the apogee in poetic performance and competent production, that is why there is application to them as they imbibe existence from an authenticated mind and vision adept in achieving their missions on the scale of transparency and aesthetics.

Consequently, his poetic experience is best identified as rooted perception, in time his project tends to have a quantum leap on the scale of visions and patterns.

Here the poet endeavours to yoke the manifest poetic details altogether with his viewpoints, tints with aesthetics, moreover solidifies them with knowledge from his mind`s eye and guides them into the apogee of thoughts and various visions to broach his ideas for the sake of mentality.

Such patterns incarnated with knowledge pave the way to epistemic results via intellectual manifestation, a poetic text reveals, employing linguistic vantage points with a knowledge scope to run in pace with semantics and structure.

Furthermore, there are both the similarity and difference buttressed with equilibrium as a permanent fount of question on whys and wherefores to approach to the epistemic problem on the scale of legitimate philosophical questions with humanist standards to have existence and identity and to conclude with mentality, thought and knowledge.

The scope of the poetic text come to the fore through diversity of vision and quality, such semantic attempts are considered as an efficacious indicator in the language of the text wreathed with precision, accuracy of eloquence and power of evidence to form the literary intent, messages of mentality, to fathom the poetic patterns.

For the the poetic tests there is a feature to render the experience into artistic structure and cast vitality into the poetic visions to have viable performance for the sake of experimental horizons the poet manipulates to broaden innovation and strike the mental response to certify the intellectual fruition.

In short, the controversiality of contradiction comes as one of the results of the evident visions that propagate the contextual aspects as an artistic icon, in need of epistemic depth to strip signs of its interaction.