السينما بين الإبداع الفني و التفكير الفلسفي

Abstract EN

Despite the time divergence between philosophy and cinema, this did not exclude cinema from being under the microscope of philosophical critical thought, whether in terms of studying the aesthetics of the image and movement, or in terms of content production in the form of semiotic extrapolations.

Film was also considered a means of presenting thought in the sense of proposing philosophical ideas.

In the form of moving images that make the recipient do the act of philosophizing by pushing him through the process of reception.

The convergence of cinema with philosophy is that they together create a special perception of the world and of the self and others, but in a time dominated by cinematic and television development and overwhelmed by modern technologies, can the philosopher find his refuge In the cinema? .