فاعلية التكرار في شعر عبد الأمير جرص

Abstract EN

It's became known that the Iraqi poetic text is a diverse text , that opens to the continuous experimentation field which does not settle down or rest , This text that has seen many transformations , Alterations , Creation and re-creation operations that contributed at maintaining the continuity of its leadership , The '90s Iraqi Poetic text was able to achieve a great artistic richness during its emergence , By a good group of Iraqi poets , Including "Abdul Amir Jaras " , That his mature writings imbued the creativity pouring rain on the land of Iraqi poem fertile , and as a Modernist poet, and as a modernist poet, he deliberately breached the standard poetic language , Employing new structures and syntheses , That contains a lot of sarcastic Paradoxes of the '90s tattered prevailing situation , Thus, his poetic experience has imposed a distinctive concept of rhythm on him .

He didn't pay his interest to foreign rhythms only , That constrains him with the prosodic classical standards , Which is interested in the external music not the internal , instead, he went on employing internal rhythms , Staying away from the standard prosody , And by the horizontal and vertical studying of the vocal homogeneity of the poetic texts of " Abdul Amir Jaras " , We discover that repetition is a special vocal phenomenon , That Attends vertically and horizontally , Creating rhythms that attend, according to the poet moral, psychological and creative formations , which its own Music stems from the expressive aesthetic effects , That enrich the poeticalness and outbursts both of semantic and interpretive energies.