جماليات الحرف العربي في الطبعة العربية المعاصرة في العراق و مصر
Other Title(s)
Aesthetics of the Arabic letter in the contemporary Arabic edition in Iraq and Egypt
Joint Authors
رؤى صادق محمود
رشا أكرم موسى
المعموري، حمدية كاظم روضان
Source
مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية
Issue
Vol. 2021, Issue 42 (31 Jul. 2021), pp.678-699, 22 p.
Publisher
Wasit University College of Arts
Publication Date
2021-07-31
Country of Publication
Iraq
No. of Pages
22
Main Subjects
Abstract EN
The current research consists of four chapters.
The first chapter concerned with the research problem, which was determined by answering the following question ((What are the aesthetics of the decorative composition of the Arabic letter in the contemporary Arabic edition)), the importance of the research and the need for it, as well as its goal represented by (revealing the aesthetics of the decorative composition of the letter Al-Arabi in the Contemporary Arab Edition).
Then defining terms.
As for the second chapter, it is composed of two topics, the first: (A historical overview of the origin of Arabic calligraphy and its types).
While the second topic deals with (technical and technical characteristics of graphic art) as well as the indicators of the theoretical framework, while the third chapter includes (research procedures), which is the research community, and the research sample consisting of (4) models chosen intentionally (selectively).
The researchers followed the descriptive and analytical approach in analyzing the samples.
The fourth chapter included (the results of the research, their discussion, conclusions, recommendations and proposals), and among the most important findings of the research are: 1- Experimentation played a major role in achieving stylistic diversity in Iraqi and Egyptian artistic printing works that were affected by factors of specificity stemming from the nature of life and the circumstances of each country.
Therefore, most of the artists presented works with experimental formulations that follow everything new and developed in the field of art, life and technology.
As for the conclusions, the most important of which are: 1 - The work of the graphic artist is keen to benefit from historically rich forms and employ them in the context of his pursuit of artistic and cultural transition and diversity with a contemporary vision, as it is within the limits of his selection of those traditional symbols and crafts that are primarily formal, but his themes, formulations and treatments are what give the shapes their new connotations, which allow For his works to remain within the circle of link between heritage and modernity together
American Psychological Association (APA)
المعموري، حمدية كاظم روضان ورؤى صادق محمود ورشا أكرم موسى. 2021. جماليات الحرف العربي في الطبعة العربية المعاصرة في العراق و مصر. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية،مج. 2021، ع. 42، ص ص. 678-699.
https://search.emarefa.net/detail/BIM-1266752
Modern Language Association (MLA)
رشا أكرم موسى....[و آخرون]. جماليات الحرف العربي في الطبعة العربية المعاصرة في العراق و مصر. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية ع. 42 (تموز 2021)، ص ص. 678-699.
https://search.emarefa.net/detail/BIM-1266752
American Medical Association (AMA)
المعموري، حمدية كاظم روضان ورؤى صادق محمود ورشا أكرم موسى. جماليات الحرف العربي في الطبعة العربية المعاصرة في العراق و مصر. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية. 2021. مج. 2021، ع. 42، ص ص. 678-699.
https://search.emarefa.net/detail/BIM-1266752
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن مراجع ببليوجرافية : ص. 696-699
Record ID
BIM-1266752