المسرح الجزائري : بين الأصالة و المعاصرة

Abstract EN

Experimentation in theater is considered an inevitable biblical option in narrative sex, as it has become difficult to bypass it, that is, this textual model must be broken and the search for a different model, so every creator has the right to embark on a new aesthetic adventure by which he penetrates all the traditions and written traditions that have become an obsession in front of creativity By returning to the folklore to qualify this art by creating appropriate forms and content to reach the Algerian recipient who is eager to reach the popular theater far from Western forms, so returning to the heritage is rooting, self-realization and identity, hence the peculiarity of the theatrical experience - after independence - this reclining experience On the folklore and experimenting with various forms.