مبادئ فن الإخراج المسرحي عند جيرزي غروتوفسكي

الملخص EN

Astract: The actor is considered one of the main and important elements in the process of the presentation, the play can not know its way to the viewer only by his presence is the link between what the writer wants to communicate to the public of ideas and the way of displaying these ideas to the public with a scene where the directive meets the director, has appeared in The second half of the twentieth century a lot of theories and theatrical schools, which mainly concerned with the preparation of actors and training according to special rules and specific, and not only "Stanislawsky" Russian broke into the threshold of theatrical experimentation and the establishment of special curricula for the actor, decoration and theatrical scenography, but it was a concern The cost of many creators such as "Mayhold" and Brecht "and Peter Brock" and Grotovsky ", and distinguished each way from the other in the artistic presentation of the theater.

In this article we will try to explain the theory of the Polish "Jerzy Grotowski" in the process of the theater and the most important principles adopted by him in his methodology for a distinctive show up to the peak of success and influence in viewers.