ضوء على ظاهرتي الاحيائية و التجسيم (التشخيص)‎ في شعر عدنان الصائغ برؤية انزياحية : (مجموعتي غيمة الصمغ و مرايا لشعرها الطويل أنموذجا)‎

Abstract EN

The two phenomena of anthropomorphism and animism are closely related linguistic techniques that poets have used throughout the history of poetry and literature.

One of the achievements of these two linguistic techniques is the change of the horizon of thought in the reader, and enables him to understand the second metaphorical meaning of the words along with their first meaning in the text.

Adnan al-saegh is one of the poets who skillfully used these linguistic techniques in his poetry.

He has been able to present an unfamiliar poetic language that is different from the standard language -described as zero language of writing in some resources-.

Therefore, sentences and words have appeared in his divan that seem to have been created by this poet for the first time.

During the present article, the researchers have tried to describe and analyze the various aspects of anthropomorphism and animism in two collections of poems, "Ghamma Al-Samgh" and "Maraya Lash'arha Al-Tawil", in a descriptive-analytical method to give the audience the reason for the presence and permanence of Adnan's poems in the minds of the audience.

From the current research, it appears that Adnan Al-Sayegh has been able to skillfully and efficiently use two phenomena of anthropomorphism and animism in his poetry to master a kind of aesthetic de-familiarization that has created a special poetic life and the novelty of language in his poetry.

Adnan's de-familiarizations are not limited to these two phenomena, but include different types of defamiliarization that are beyond the scope of the title of the present article.