تجريب تداخل القصة القصيرة جدا مع التقنيات السينمائية : (فتافيت الصورة)‎ للقاص جمال الجزيري أنموذجا

Abstract EN

This research aims at obtaining an insight into the extent of the overlap and interference of the very shory with the cinematographic techniques, in the collection) Fatafeat Assoura( of the Egyptian narrator (Djamel Eldjaziri).

The study was lauched that this overlap between the two arts is a dominant element within the narrative text chosen, and that this mix is one of the most important methods of artistic expression in the new narrative writing.

That clearly expresses the aggravation of reality and its fragmentation.

Beyond that, a precise plan was developed through five elements.

In the first element: I tried a technique of editing, and then I climbed into second element the technique of Flashback, in the third element: I tried the shear scenario.

In the fourth element: I tried to control the external control of the movement of the cinematographic camera.

In the last element we studied the artistic universes.

This research came to a group of results: the narrator(Djamel Eldjaziri) in his collection of short stories marked ) Fatafeat Assoura (, concentrated on the exposure of the scenes in a minute or more, and had nothing give as commentary as one does in the cinema by the short film tape.

Here is the basis that the narrator exploited to construct his narrative short in the chosen model.

Its importance is remarked that this principle of narrative has not paid attention by most writers of short stories in the Arab world.