شعرية التناص في شعر محمد جربوعة : الحضور، الأشكال، و الوظائف

Abstract EN

The article starts from a brief theoretical presentation of the concept of intertextuality.

It seeks to discover its manifestation through the external and internal threshold of the title in a group of collections of the poet "Muhammad Jarboa", then stops at the most important sources of intertextuality in the poems.

After that, it presents the forms and functions of this intertextuality.

Thus, the article is working on a recent blog published in the last five years (five divans published between 2015 and 2020) by an Algerian poet who achieved a remarkable presence whether on the quantity or quality.

This article moves in a field that has never been applied as I know to the poet's texts Muhammad Jarboa, and the article relied on some mechanisms of the semiotic method.