النظم المتجددة لهدم الاتفاقيات السردية : ما وراء القص في روايتي عبد الرزاق بوكبة (جلدة الظل)‎و (ندبة الهلالي)‎

Abstract EN

This research seeks to approach critically, "Abd Razzaq Boukabah̕ s novels (Djildat Adhil), and (Nedbat-El.

Hilali) using the post-modernist critical concept: "Metafiction" and its particularities in these novels.

Queries concerning the narrative aesthetics of Metafiction were answered through investigating and deconstructing the creative strategies in the text and the methods employed, and how it is linked to other critical concepts, such as: "chaos theory, " and "reception theory".

What the text produced in terms of dynamics, multiplicity, variation and breach of expectations was a self-reflection that appeared with events and characters including the writer̕ s character, the latter created to the reader a world in which multiple possibilities were formed, to put him in a maze that makes him free to choose between interpretation, follow-up the narrative game, or follow the signs until the end of the novel, to begin creating another possible world, out of that of the novel which is variable, dynamic, and has unlimited possibilities.