تجليات لغة اللون في تشكيل فضاء العنوان في الرواية النسوية المغاربية

Abstract EN

Narration and a major feature in the formation of the narrative text and its general structure, and the title has a linguistic and aesthetic impact through which the woman the writer-seeks a joyful adventure if it is joined with qualitative perceptions that reflect the aesthetic and intellectual vision of the woman-the writer.

In order to draw through the title as a symbolic ontological dimension an intense artistic painting in the charged color language with indicative and suggestive cards, indicating the sensitivity of the language of the feminist discourse, and the specificity of the aesthetic work of the Maghreb novelist, who tries to seek and influence the recipient's imagination.

On this basis, most of the titles of the Maghreb feminist novel have been stored on vivid and expressive color and formative energies that personify and embody the various meanings and ideas that revolve in the conscience of the woman-the writer-as it prepares the reader to form a conscious vision by transforming the structure of the title into multiple interpretive and semantic levels to arrive at a reality women and search for serious solutions to him.