التشكيل الإيقاعي في موشحات ابن الصباغ الجذامي

Abstract EN

This research paper aims to reveal some rhythmic formation elements in Ibn Sabagh Al-Djadami's Muwashahat, as he is one of the poetswho became famous in composing the Muwashahat of pleading and prophetic compliments during the seventh century AH.

The latter was done through employing some stylistic techniques on some models and evidence at the level of the external rhythm, namely meter and rhyme, and the interior rhythm, namely embellishments such as naturalization, Saj' andTasdir, as well as various repetitions that show the effect of sound on meaning and the effect of moral emotion on sound.