الرؤية النقدية لقصيدة المدح عند العقاد : بين التنظير و التطبيق

Abstract EN

The research sheds light on the nature of harmony between al-ʻAqqad’s vision influenced by the romantic current about the connection between literature and the political power and elite -on one hand- and his literary practice of that vision, on the other.

in light of an analytical historical approach, the research observes the changes of al-ʻAqqad’s attitudes towards praising of the political power and his method of composing that form of poetry.

It argues that al-ʻAqqad’s attitudes towards praising the political authority follow, to large extent, the thoughts of the romantic current ; however, he did not adhere to all the conditions and limits he set for poems that praise the political authority in his poetic praise to kings.

al-ʻAqqad’s poem “ghayth al-Saḥraʼ" (Desert Rain) which was composed to praise King Faruq during his visit to the western desert in 1938 is chosen to be a model that transfers the analysis from theorizing to application and reflects the form and content of al-ʻAqqad’s poems that praise the political authority.

this model also presents the extent to which al-ʻAqqad’s poems are affected by his romantic vision and reflects the extent of al-ʻAqqad's commitment in his praise to the theoretical views on which he establishes his attitudes towards the poem that praises the political authority.