التكثيف الدلالي و توالد المعاني في قصيدة الربيعية لشيخ الشعر الملحون أحمد الغرابلي

Abstract EN

Maghreb salty poetry is covered with many artistic and literary aesthetics, which makes it a fertile field for critical studies, and accordingly this study descends to search for one of the artistic tools that the poet uses to convey his images and ideas to the recipient in a way that makes him interact with it and its aesthetics, which is semantic condensation, by standing on it in the poem of spring by Sheikh Ahmed al-Gharabli, which sings about the spring season, its atmosphere and its picturesque nature with its various elements and components, standing on the way the poet presented his subject with suggestive words and expressions that reflect his control of condensation in order to deepen connotations and generate.