تجليات الألم في الكتابة السردية العراقية بين تأرجح الإبداع و حدود إمتاع القارئ : رواية صيادو الريح-للمياء الآلوسي نموذجا

Abstract EN

When we suffer, we tend to write.

This narrative field that opens up to reality and the imagined has many forms of construction according to the controversy of narrative mechanisms, which had an impact on the writer's living reality, whether on the family or society.

Lovers of literature, writing and literary reading know and feel it, but they did not stop there.

The narrative path is usually A theoretical assumption of abilities reflected in the components of consciousness and conscience, and then an attempt to understand the nature of pain.

Accordingly, the reader and critic, and through this assumption, put the novel as an expression, or in other words, a depiction of the concerns of the human depth.

Therefore, the lines of this paper came to answer the problem of oscillation between pain and novelistic creativity for the writer “Lamia Al- Alusi” in the novel “Sayyad Wal-Rih” and to show the extent to which she was able to write under the weight of pain and why not also outside it, and this is so that fiction writing does not stand as a means only for enjoyment and psychological inspiration.