الصعلكة في العتبات النصية : ديوان كأنك لم للشاعر محمد عبد الباري أنموذجا

Abstract EN

by the poet Muhammad Abdul-Bari, through the textual thresholds: (headings, dedication, and introductory phrases), trying to reveal the connotations of sa'lakah and the desire for change.

Accordingly, the study is divided into an introduction that includes a definition of the concept of sa'lakah, and the textual thresholds, in addition to Two axes: the sa'lakah and the title, the sa'lakah and the dedication, and the introductory phrases, and finally a conclusion that includes the results of the study.

The study concluded that “sa'lakah” started from the main title that is wrapped with doubt about something, which, therefore, raises several questions that require answers, either to be or not to be.

Reinforcing this rebellion, the dedication comes to declare that freedom means names, and names can only be achieved through the realization of the goal, and the frequency of rejection escalates and escalates through headings and expressions of introduction, as textual thresholds embodied “sa'lakah” through rebelling against reality and trying to encourage change.