تبدد الشخصية في قصيدة (لا تطرق الباب)‎ للشاعر عبد الرزاق عبد الواحد

Abstract EN

The purpose of this study is to discover the dissipation of the poet character in the Iraqi poet Abd Al-Razzaq Abdul Wahid in his poem: Do Not Knock the Door (Laa Tatroq Albab) through three axes.

The first axis revealed the sound and its appearance in the poem-text (the self soliloquy sound - the poet sound), and the connotations contained m these sounds, and this axis referred to the sill of the title.

The second axis was the poem-style, which was restricted to the two styles; prohibition and calling.

Also, the semantic dimensions involved.

However, the third axis focused 011 the visual formation that appeared 111 two appearances: signs of ellipsis and influence, and revealed their roles in the expression of the state of isolation, detachment of self-soliloquy, and recalling memories.

The study findings show that the sound of the self-soliloquy in the poem was fascist in all the verses, and its sound was embodied by leaning 011 two styles; prohibition and calling that led to personality-dissolution.

That dissipation manifested through the recurrence use of signs of deletion and influence.