بنية التشكيل الصوتي للآيات الواصفة لعباد الرحمن

Abstract EN

This study highlights the structure formation voice of the verses describing the slaves Rahman in soorat Al-Furqan, and on how to distribute Soamtha Msotadtha and sections, Tstntgaha and Thorha to tell how she and its beauty and accuracy of employment Quranic her, taking off from a bond strong, inextricable, and close relationship link between sound and meaning as (any sound) nerve speech problem building blocks of words through synergy sounds and syllables with each other component that context phonetically The rhythm crossing parallel and consistent with the content, as engaging context voice and fabric based upon, and is organized in a wire range of clues contextual for unmasking He disclosed secured semantic text and beset by shadows, images and Alaahat, hitting out at the end its journey in Rehman verses creams contained at the end of Al-Furqan soorat (alayat 63_77) results highlighting aesthetic stylistic voice in the Koran, and despite the presence of bases and several axes, However, the field of study only allowed to focus on three themes: the structure formation voice according to the distribution of consonants and Voters, infrastructure CT text and connotations pop them, structure drawing written) leaving premises and other hubs such as modulation voice of the verses describing the slaves Rahman based on identifying Almassahbat voice verbal and performance such as stress and stopwatches and toning and other audio phonologhy to another study in the coming days and Mqublha God willing if age.