تناص الشكل في فن ما بعد المحادثة

Abstract EN

Not without the art of system relationships and Tkablat moving from one location to another, according to a certain logic, to open up the result, according to the mechanisms of metaphor, according to the mechanisms of metaphor and deportation, replacement and inclusion, and by the mechanism analysis of the re-arrangement, the prospects of a new variety of renderings art (the intersection of texts among them), to achieve this construction Almtnavz shift aesthetically, ensures art Tname infinite horizons and interpretive and aesthetic.

Therefore, this research sought to examine the contradiction figure in the arts of postmodernism, which are of four chapters Included the first chapter both of the research problem, and purpose, and its importance and the need for, and limits of objectivity and spatial and Alrmanih, and determine the definitions of language and idiomatic and procedural search terms, has launched the research problem of several questions enabled the researcher to establish a real problem that :- Is Atnas art form with painful post-modern achievements of other art.1 What are the mechanisms that intertextuality done in the post-modern artistic pain.2 The aim of this study was placed research, to identify the mechanisms Tnas figure in postmodern art and architecture similar statement between him and other technical texts, the boundaries of the search, was confined between the year 1950-2012 and for the products of Alma postmodern art.

In order to achieve the goals of research that requires the establishment of a theoretical framework based on the structure of knowledge, intellectual and monetary therefore ensure that the second chapter three sections divided in turn into several axes, it included the first section, approach a concept (for Tnas) where its origins and roots, which necessitated that divide it into two, first, was focused on the concept of intertextuality in critical thought old, while the second axis, critically examines the concept of intertextuality in modern thought, these two axes achieved ground knowledge of the concept of intertextuality and thought Ashgalath cash.

While define the second topic, studying intertextuality in terms of being the concept of cash has its laws, its mandate, and types.

While the third section has focused on the study of the concept of intertextuality and osmosis structures art among them, but what specializing in previous studies did not find a researcher studying approaching, objectives and procedures for studying this to end the theoretical framework.

The fourth quarter has included the search results, and the most important results : 1.Contrast Tnas done Technical General intertextuality between the outer and progress and self.

2.Work done at the level of technical drawing, according to the law of rumination on the level of form sometimes, and other times at the level of content, as it moved away from all of ceramic art and sculpture.