البعد الحضاري في رسوم جماعة بغداد للفن الحديث

Abstract EN

This research: (Dimensions of civilization in the fee group Baghdad Modern Art); try to make reading a civilized what was produced from the work of drawing the Iraqi modern, from the stage of the fifties (group Baghdad Modern Art), which are summarized by being knowledge, pour in the drawing window Iraqi modern, from during its terms of reference historical relied upon across episodes of civilization or periods of time, leading to years of the fifties of the age of the fine movement of the modern Iraqi, which was expressive and merocrine formulas of collective action to strengthen what was drawn from the footsteps of well-established somehow achieves its presence, with what was based upon the depth of historical - cultural authentic, it would show trends that movement in the development of lines cognitive obvious to understand the mechanisms of the functioning of these dimensions of civilization, and indicate what system of relations that organized, which is at the same time, signaling the beginning of these transformations intellectual artistic output, trends, many tend to modernity, depending on the movement of society, and its effects on from generation to generation, it contained a search on the four chapters: chapter contains the first methodological framework for research ranging research problem centered around the concept of civilization and the reflection-dimensional cultural, intellectual and aesthetic works of art in ancient Iraq to the completed artwork - in modern Iraq to stage the fifties of the painters, as contained on the goal of the research, which is (you know the cultural dimension of the fee group Baghdad Modern Art) .oaqtsrt limits on research study (Dimensions cultural group in charge of Baghdad modern Art).

As such the second chapter the theoretical framework and included three sections, the concentration of attention in the first section on the concept of the cultural dimension and its components across different civilizations (Mesopotamian and Islamic, European) attempt to track references intellectual (cultural) and material in the light of contemporary knowledge and know what it is, and involved the second section on how to Iraqi artist inspired Closed technical and aesthetic gleaned from sources of creative trends tend to the cultural values of the gene into the arms of the collective spirit and eating for the constituent phases (group Baghdad Modern Art).

With an attempt to investigate the data Iraqi artist and intellectual Applied alike and look Analytical cash, leading to the founding of the premises to the theory according to which the researcher to uncover the relationship between them and the nature of the accomplished plastic, right down to the indicators research, and work in the light when analyzing samples and discuss the results and finish to a range of conclusions .

While ensure Chapter III research procedures in terms of inventory research community and the adoption of samples from him elected, deliberately, in the light of the experience of experts in order to verify the validity and counted according to the nature of the subject and aim of the research was their number (35) of the panel have been identified (5) plates covered Borders Search the adoption of a descriptive approach analytical for the purpose of analysis.

This included the fourth quarter results and the conclusions that emerged from research in the light of the aim of the research and its relevance with data and indicators of the theoretical framework.

The researcher found to a number of conclusions and results, including: 1- that the graphics (group Baghdad Modern Art) based on the terms of reference of civilization, whether of destination (Mesopotamian, Islamic, European) moving elements of the visual to suit the subject, which was a common denominator him and contrast Mqhrbh conceptual and structural, with variations in the formulations stylistic shape of artist to another.

2- attempt painter group Baghdad Modern Art conditioning trends stylistic modern European, which absorbed a result of the cross-fertilization of cultural and civilizational with data drawing EU, the according to the terms of reference of intellectual, social and cultural to our society, and the basis of the principle of experimentation and freedom from analogue, which has dominated the charts and contemporary Iraqi .az influenced drawing Iraqi western art in the technical side but it differs in terms of substance.

3-interacted group Baghdad modern art with cultural heritage experience was based on two things: first, pride of heritage in the Arab-Islamic civilization of ancient, and secondly: openness to the nature of the times while retaining.