جماليات أنظمة التكوين في الخزف العراقي المعاصر

Abstract EN

the Current search Address (The aesthetic of theconfiguration of the contemporary Iraqi ceramics) contents of the beauty of art through the methods of treatment , reconstructive methods, and artistic techniques .

the current research problem has been summarized by the following question : (what are the configuration systems in the contemporary Iraqi ceramics ? ) The research has been divided into four chapters , the first one is about the definition of the research problem, its importance and the need for it, the aim of the research was summarized ( defining the configuration systems in the contemporary Iraqi ceramics ) , it also Included definition about the limits of the researchand determine the terms contained in it .

The second chapter is the theoreticalframe of the research , and it has been divided into two topics : 1.

The first topic is about ( the artistic configuration and the system concept ).

2.

The second topic is about ( the formative foundations of the Iraqicontemporary ceramics).

And it also included indicators of the theoretical framework and previous studies.

While the third chapter included the procedures of the research, its samples, its methodology, and analyzing this sample.

The forth chapter contained the conclusion of the research,and among the findings that the researcher had found : 1.

The Iraqi contemporary ceramics derived a set of cultural regimes toharmonize the expressive topic with configurations vocabulary, the most important ones are the human cultural heritage , the Islamic heritage and the local heritage.

2.

The colorimetric processes had ascertained unity in the diversity within the structure of the overall work by the chromatic contrast, the harmony, and the consistency in the value of any single color according to the pure subjective vision.

The research ends with the most important recommendations, suggestions, sources, and summary.