التقنيات السينمائية في الرواية الحداثية : البعد المرئي للنص

Abstract EN

The research seeks to find the link between cinema as an art visible and between the novel as an art legible, and recognizes research that the writer (novelist) is responsible for more of the responsibility of the director because the latter up to the mind through sight and hearing (picture and sound), while the novelist it up to mind through written words, it is further from the mind of the reader the biggest stages of the director, but this dimension creates a privilege conceivably turn readers whereby the directors, each reader outlet itself and the multiplicity of perceptions generates a multiplicity stories, which eliminates at the same time any criticism or aversion; so that The reader does not adhere to the view of the imposed hoarding mistakes, but builds the standpoint of pure depending on the point of view of language open ٠ It could be argued that the novel inspired by the seventh art a number of technical and visual data technologies, brought it closer to him so much, seeming cinematic language opens up a third dimension visionary, allows functions to give their meanings.

This inspiration is normal provided by modernity in openness Alojnasa and technical developments, but we have to admit in advance that those openings what it is to be not for the ingenuity of the literary language, which exceed Visionary and win the race literary and win races semantics and values like no other.